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Two newly-discovered pictures of the Lucca school

1 - Alpatoff und Lasareff. Ein byzantinisches Tafelwerk aus der Comnenenepoche. Jahrbuch d. Preuss. Kunst-samml., 9, 925, p. 40.

2
- Millet. Recherches sur l'iconographie de l'Evangile. Paris x916, p. 472-473, 475

3
- See: Goldschmidt. Das Naumburger Lettnerkreuz im Kaiser-Friedrich Museum. Jahrbuch d. Preuss. Kunst-samml. I915, p. 137.

4
- From the Church of Sta. Chiara, Lucca

5
- Siren. Toskanische Maler im XIII Jahrhundert. Berlin 1922, p. 89-94.

6
- Mr. Van Marle (The development of the Italian schools of painting, Vol. I, p. 328) mentions a small panel of the school of Bonaventura Berlinghieri which     he saw in a private collection. His description of the latter permits me to recognize in the Descent from the Cross now published the picture he alludes to.

7
- Sirén, op. cit., p.36

8
- Kondakoff. The Iconography of the Virgin, Vol. II, p. I85 (in Russian).

9
- Kondakoff, op. cit., Vol. II, p. 277, pass.

10
- Papadopoulos-Kerameus. The Library at Jerusalem (in Greek), I, p. 53, pass. Kondakoff. Archaeological travels in Syria and Palestine, p. 281-283; Dalton, Byzantine art and archaeology, p. 477-478; G. Millet in Michel, I, p. 247; Id. Recherches sur l'iconographie de l'Evangile. p. 141.

11
- The type mentioned is to be already found in embryo form in the encaustic icon of the Virgin of the Vth-VIth cent. (Museum of the Ecclesiastic Academy, Kiev).

12
- . Benesewic. Monumenta sinaitica archaeologica et palaographica. Fasciculus I. Petropoli 1925, pp. 28-30, pl. 19.

13
- Kondakoff ascribes it to the XIII-XIVth cent., noting in it an Italian influence. This last assertion is groundless.

14
- Millet. Recherches sur l'iconographie de l'Evangile, pp. 418-422.

15
- Ainaloff. Byzantine painting of the XIVth cent. Petrograd 1917, p. 118-119 (in Russian).

16
- Grueneisen (La piccola icona byzantina del Museo russo Alessandro III a Pietroburgo. Rassegna d'Arte, I904, facs. 4) and Wulff (Altchristliche und byzantinische Kunst, II, p. 514) give a wrong date to this Crucifixion, ascribing it to the XII-XIII cent.

17
- Written for the prince of princes Vasak-brother of king Hetum I-between 1259 and 1284.

18
- Written by the scribe Avetik in Akner, by order of the queen Keran, wife of Levon III.

19
- Alpatoff und Lasareff. Ein byzantinisches Tafelwerk aus der Comnenenepoche. Jahrbuch d. Preuss. Kunstsamml. 1925, p. 140.

20
- Cf. Menologium of Basil II in the Vatican Library, fol. i; Homilies of Jacobus Monachus in the Vatican Library, No. 1162, fol. 29a, 68b, i88b (XII century); Homilies of St. Gregory of Nazianzus in the Bibliotheque Nationale, No. 533, fol. 3b (XI century).

21
- Cf. Homilies of St. Gregory of Nazianzus in the Bibliotheque Nationale, No. 543, fol. 5ib, 87b, ii8b, 213b (XII century); Spiritual Ladder of John Climax in the Vatican Library, No. 394, fol. I3oa (XI century); Gospel in the Bibliotheque Nationale, No. 75, fol. 153 (XI century); Gospel in the Bibliotheque Nationale, No. 74, fol. I57b (XI century); Gospel in the Vatican Library, Urbin. gr. 2, fol. I67b (XII century); Gospel in the Vienna Library, Suppl. gr. 50, fol. 244b (X-XI century).

22
- This detail is repeated in the Yale Entombment.

23
- Cf. Homilies of Jacobus Monachus in the Vatican Library, No. 1162, fol. 2b, 8b, I42a (XII century); Gospel in the Bibliotheque Nationale, No. 74, fol. 49b (XI century).

24
- Cf. Spiritual Ladder of John Climax in the Vatican Library, No. 394, fol. i7b (XI century); Menologium of Basil II in the Vatican Library, fol. 17, Io6; Gospel in the Bibliotheque Nationale, No. 74, fol. 46b, 47a, I36b, 137b (XI century).






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